bdshelley@fas.harvard.edu Since 1995, he has been actively involved with the Leibniz-Kreis, a working group originally based in Heidelberg, which is devoted to the "Afterlife of Antiquity. Jessica Bodner, described by the New York Times as a "soulful soloist", is the violist of the Grammy award-winning Parker Quartet. Terry received a grant from Rockefeller Philanthropy Advisors and New York State Music Fund to create Afro-Cuban Roots: Yedégbé, a suite of Arará music. The unfolding of the piece is further fractured by cutting and displacing parts of the continuity into a forest of chaotic utterances. A Fellow of the American Academy of Arts and Sciences and the American Academy for Jewish Research, the American Philosophical Society, and the Ethiopian Academy of Sciences, she is a Past President of the Society for Ethnomusicology. Mr. Chong has performed at several major music festivals including the Marlboro Music Festival, Mostly Mozart, Yellow Barn Music School and Festival, Bridgehampton Chamber Music Festival, and the Perigord Noir Music Festival. Professor Hasty received his PhD in Music Theory from Yale University, after earning an M.M. Theory A main focus of Tutschku's work is improvisation with live-electronics, and he is regularly invited to give lectures and workshops on this topic. Prior to his appointment at Harvard, Clark was Artistic Director of the Providence Singers and Director of Choral Activities at Tufts University for seven years. Shreffler received a B.Mus. His 2017 dissertation, “Sermons in Song: Richard Smallwood, the Vamp, and the Gospel Imagination,” developed an analytical paradigm for gospel music that braids together resources from cognitive theory, ritual theory, and homiletics with studies of repetition, form, rhythm and meter. In addition to his publications, Kajikawa served as contributing editor for the Grove Dictionary of American Music, Second Edition (Oxford 2013), soliciting and editing all hip-hop and rap music related entries. Landon Morrison is a music theorist who studies the role of technological mediation in 20th- and 21st-century sonic practices, focusing on electroacoustic sound, timbre, microtonality, and experimental subgenres of popular music. "Fulguratores: Lessing. james.hepokoski@yale.edu Henry L & Lucy G Moses Prof Emeritus of Music : Robert Holzer robert.holzer@yale.edu Assoc Prof (Adj) Sch of Music and Music Dept : Brian Kane brian.kane@yale.edu Assoc Prof Music Dept : Gundula Kreuzer gundula.kreuzer@yale.edu Prof Music Dept : Patrick McCreless patrick.mccreless@yale.edu The Curtis faculty includes a high proportion of eminent performing musicians who connect students to life as a successful professional musician today. E-Mail: sbick@uwindsor.ca, Sally Bick is an associate professor of musicology in the School of Creative Arts at the University of Windsor. "Canis canens, oder Kafkas Respekt vor der Musikwissenschaft," Kafkas Institutionen, A. Höcker/O.Simons (Bielefeld, 2007), 145 – 156. Office: Armouries, AM 226 Outside academia, she has worked as a dramaturg and director. She has won three ASCAP-Deems Taylor Book Awards. He also served as Assistant Conductor to Robert Spano at the Brooklyn Philharmonic and to Daniele Gatti at the Orchestra dell'Accademia Nazionale di Santa Cecilia in Rome. While our program has an emphasis on Western music, students increasingly explore wide-ranging geographies and subjects. His recordings with the Parker Quartet can be heard on the Zig-Zag Territoires, Albany Records, and Naxos labels. He has been conducting ethnomusicological research in South Asia since 1982 and in Central Asia since 2012. Shelemay was named the Chair in Modern Culture at the John W. Kluge Center of the Library of Congress during August and September, 2007 and June, 2008. Other musical mentors that continue to influence him are Rainer Schmidt and Helmut Lachenmann. At Harvard, Clark teaches courses primarily in music theory, but also in historical musicology. In 2014 Jessica joined the faculty of Harvard University's Department of Music in conjunction with the Parker Quartet's appointment as the Blodgett Quartet-in-Residence. Their unmatched musical lineage, in turn, links students to the classical masters. Born into a musical family in Camaguey, Cuba, Yosvany Terry went on to classical music training in Havana at the prestigious National School of Arts (ENA) and Amadeo Roldan Conservatory. "Music on Location: Rhythm, Resonance, and Romanticism in Eichendorff’s Marmorbild," Modern Language Quarterly 70 (2009): 195 – 221. Wolf is currently preparing a monograph and an ethnographic film concerning music, language, and moral being among the Wakhi people of adjacent parts of Tajikistan, Afghanistan, Pakistan and western China. All Music Department graduate students receive tuition scholarship and a 12-month stipend for the full five years of the program. More information on studying musicology at the University of Hawaii-Manoa: Master of Arts in Musicology; ... Charles University, Princeton University, MIT, and Yale University, among others. Bild oder Text?, E.Goebel, ed. Monson is a former chair of the Department of Music and served as an Interim Dean of Arts and Humanities.  Monson also served as an expert witness for the Marvin Gaye family in the high profile Blurred Lines copyright infringement case in 2015. Monson's secondary interest is in the music of Mali, which has led to her forthcoming third book The Voice of Kendougou, about virtuosic Malian balafonist Neba Solo. Over the past decade she has given the world premieres of hundreds of new works for the flute in performances throughout the Americas, Europe and Asia, and she has championed new music throughout the world by building organizations, forming alliances, pioneering commissioning initiatives and supporting educational programs that reach new audiences. SCHOOL OF MUSIC FACULTY University Park 2007-2008 *SUE HAUG (D.M.A., University of Iowa). 1975-83 Lecturer then Reader in Music, King’s College, U. of London. His current projects include an article on the poetics of gospel vamps, an article on music and protest in the North Carolina-based Moral Mondays movement, and a book-length study of African American gospel performance. Suhnne Ahn joined the musicology faculty at Peabody Conservatory in 1997 after completing her Ph.D. in musicology from Harvard University. Starting in 2013, she began a three-year stint as Reviews Editor for the Journal of the American Musicological Society. Yuji Numano, Scholar, Yo-Yo Ma, Artistic Director and Founder from New England Conservatory of Music, and her B.A. Her Making Music Modern: New York in the 1920s (Oxford) won the Lowens Book Award from the Society for American Music. As a member of the Parker Quartet, of which he is a founding member, some awards and distinctions include 1st prize at the Bordeaux String Quartet competition, the Cleveland Quartet Award, and 2010's Grammy Award for "Best Chamber Music Performance. She completed her Doctorate in Musicology at the University of Edinburgh, UK. Her most recent book, Bernstein Meets Broadway: Collaborative Art in a Time of War  (Oxford University Press) received the Music in American Culture Award from the American Musicological Society. He finished a DEA (master in musicology) at the Parisian Sorbonne and completed his PhD in Composition with Professor Dr. Jonty Harrison at the University of Birmingham in UK in 2003. *MAX ZORIN (M.Mus., Yale University). Professor of Music, Professor of of South Asian Studies He specializes in contemporary musical practices from Latin America, the Caribbean, and Latinx peoples in the United States from historical and ethnographic perspectives. At Harvard he serves on a number of committees, including The Office for the Arts, and he has been Chair of the Composer Fellowship Committee at the Radcliffe Institute for Advanced Studies. all this with the aim of reaching a music of the subconscious which goes beyond style conventions or rationality. Cortese’s tenure with the BSO as Assistant Conductor was the longest of anyone who has served in that capacity. With the Quartet, Ms. Bodner has recently appeared at venues such as Carnegie Hall, The Library of Congress, the Concertgebouw in Amsterdam, Wigmore Hall in London, the Musikverein in Vienna, and Seoul Arts Center, and has appeared at festivals including Caramoor, Yellow Barn, Perigord Noir in France, and Mecklenburg-Vorpommern in Germany. 203-432-6374. When not playing the cello, Kee's other interests include maintaining physical and mental health and well-being, international cuisine, world music, and his cat, Sammy. Harvard-Radcliffe Collegium Musicum. He was the 2015-16 Artist-in-Residence at the Metropolitan Museum of Art in New York, 2017 Jazz Artist in Residence at Wigmore Hall in London, and Musical Director for the 2017 Ojai Festival in Southern California. He has served as Director of The Banff Centre’s International Workshop in Jazz and Creative Music since 2013. Upon completing her formal education, Czernowin undertook a period of travel and composition in Japan 1993-1995 (Asahi Shimbun Fellowship, NEA Scholarship) and Germany (1996, Akademie Schloss Solitude). She was Professor of Composition at the University of California San Diego from 1997-2006, a professor at the University of Music and Performing Arts in Vienna from 2006-2009, and in 2009 was appointed Walter Bigelow Rosen Professor of Music at Harvard. GSAS Alumni D. in Musicology from Columbia University in 1984. Selected Works: Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition (Harvard, 2003). Music, Madness, and the Unworking of Language (Columbia, 2008) [German translation: Musik, Wahnsinn und das Außerkraftsetzen der Sprache, trans. Description Paul Hawkshaw, musicology & theory faculty, profile photo Copyright: Copyright Harold Shapiro Photographer: Harold Shapiro Terms of Use: Henry and Leigh Bienen School of Music. At the undergraduate level, she has taught courses on Tonal Analysis (MUS 151), Tonal Counterpoint (MUS 156), Theory II: The Classical Style (MUS 150a), and the Sacred and Profane in the Thirteenth-Century Motet (MUS 191r). yosvanyterry.com In 1991 he attended the international one-year course in sonology at the Royal Conservatory in The Hague, where he worked primarily in the field of digital sound processing. In addition to numerous other prizes, Czernowin represented Israel at Uncesco composer's Rostrum 1980; was awarded the DAAD scholarship ('83–85); Stipendiumpreis ('88) and Kranichsteiner Musikpreis ('92), at Darmstadt Fereinkurse; IRCAM (Paris) reading panel commission ('98); scholarships of SWR experimental Studio Freiburg ('98, '00, '01 etc); The composer’s prize of Siemens Foundation ('03); the Rockefeller Foundation, ('04); a nomination as a fellow to the Wissenschaftkolleg Berlin ('08); Fromm Foundation Award ('09); and Guggenheim Foundation fellowship ('11); Heidelberger Kunstlerinen Preis ('16); The WERGO portrait CD The Quiet (5 orchestral pieces) has been awarded the Quarterly German Record Critics’ Award ('16 ). Tutschku has composed music for film, theatre, and ballet as well as instrumental and electroacoustic music. A winner of numerous competitions both at home and abroad, Kee won top prizes in virtually all of the major competitions in Korea, including the Ehwa, Sae-gae, and Korean Newspaper Competitions, as well as placing second in the Pusan National Competition. She studied music at the RD Colburn School of Performing Arts in Los Angeles, holds a BA in Music from Columbia University and a PhD in Music-Integrative Studies from the University of California, San Diego. Exploring Music in a Changing World (2001, second edition 2006, third edition 2015). In 2007-08 she was the recipient of a fellowship from the John Simon Guggenheim Memorial Foundation. Ample archives of accolades and commentary relating to esperanza’s previous works may be found through an internet search. In 2011, he conducted the Boston premiere of John Adams’s Pulitzer Prize–winning On the Transmigration of Souls with the composer present. Ensemble of Makers: The Collective. His research has contributed to Riemannian theory, the history of music theory, sound studies, and media archaeology, reaching into the digital humanities and ecomusicology. Clark has performed prominent venues including Carnegie Hall, Lincoln Center, the Kennedy Center and Boston’s Symphony Hall. Shelemay received a B.M. Faculty members hold doctoral degrees in musicology from Cornell University, Duke University, and Yale University. Other research interests include historiography, composers in emigration, performance theory, and contemporary opera. The latest include his sextet recording Far From Over, included among Rolling Stone’s 50 Best Albums of 2017; A Cosmic Rhythm with Each Stroke (2016), a series of duets with AACM trumpeter-composer and experimental music legend Wadada Leo Smith; Break Stuff â€‹(2015), named one of the albums of the year in Time, the Boston Globe, the New York Times, and NPR, featuring the Vijay Iyer Trio​, hailed by PopMatters as “the best band in jazz”; Mutations â€‹(2014), featuring Iyer’s music for piano, string quartet and electronics, which “extends and deepens his range... showing a delicate, shimmering, translucent side of his playing” (Chicago Tribune); and Radhe Radhe: Rites of Holi â€‹(2014), “his most challenging and impressive work, the scintillating score to a compelling film by Prashant Bhargava” (DownBeat), performed by International Contemporary Ensemble and released on DVD and BluRay. Welcome to Musicology at the University of Colorado! She has served as the Leonard Bernstein Scholar-in-Residence with the New York Philharmonic and is an occasional contributor to TLS (Times Literary Supplement). (Göttingen, 2009), 18 – 40. and Ph.D from Yale in musicology as well as performing degrees from Indiana (MM.) Characteristic of her work are attempts to find alternative temporalities, changing perspectives and scale, fragmentation, examination, and stretching of identity; all coupled with a strong physical imprint and high emotional intensity. Tutschku taught electroacoustic composition at IRCAM in Paris from 1997-2001 and at the conservatory of Montbéliard from 2001-2004. Her book Freedom Sounds: Civil Rights Calls Out to Jazz and Africa addresses these issues in the jazz world of the 1950s and 1960s. She is also author of Saying Something, which concerns the interactive and communal dimensions of jazz improvisation as a musical process. She has taught at Harvard since the fall of 2003. Your first summative assessment will be written in response to an aspect of any one of the courses attended. twitter.com/vijayiyer Faculty His first studio recording with the Holden Choruses, featuring the choral music of Ross Lee Finney, was released in 2013. Originally from Southern California, Mr. Chong's major teachers were Robert Lipsett, Donald Weilerstein, and Kim Kashkashian. Since 2002, as the founding first violinist of the Parker Quartet, he has garnered wide recognition for his performances in such venues as Carnegie Hall, the Library of Congress, the Musikverein, and Wigmore Hall. In 2014, the Art Career Project named Clark amongst the "15 Notable Art Professors in Boston. Working with the Sound Lab, Rehding’s recent work has particularly explored the interaction of music theory with culture and technology. The Music Faculty at Oxford sustains a large and diverse research culture in musicology, broadly defined. and M.M. Always interested in big cultural issues, Rehding has queried music theory’s engagement with the musical repertoires of other cultures. Current Graduate Students Emeriti in Composition from the Yale School of Music. The same year he was the Edgar Varèse Gast Professor at the Technische Universität Berlin. from the University of Wisconsin-Madison in Economics. She studied composition at the Rubin Academy of Music in Tel Aviv with Abel Ehrlich and Izhak Sadai, and at the age of 25 went to study in Berlin on a DAAD Scholarship with Dieter Schnebel. Security: Politics, Humanity, and the Philogogy of Care (PRINCETON, 2013). Simon Obert (Webern Studien, Beihefte der Anton Webern Gesamtausgabe Band I, 2012); “Rhythmicizing the Subject” in Musical Implications: Studies in Honor of Eugene Narmour, eds. Professor Hasty has taught at Rutgers University, Yale University, where he founded the undergraduate Chamber Music Performance Program, and the University of Pennsylvania, where he founded and directed the College House Music Program. Composer-pianist-scholar Vijay Iyer was named JazzTimes’s 2017 Pianist of the Year, DownBeat Magazine's Artist of the Year for 2016, 2015, and 2012, a 2016 United States Artists Fellow, a 2013 MacArthur Fellow, and a 2012 Doris Duke Performing Artist. Recent highlights include tours of Australia, Brazil, Colombia, and New Zealand with the Ensō String Quartet and appearances as a soloist on concertos by Giya Kancheli, Kurt Rohde, and Tan Dun, the latter of which with the composer at the podium. Rathey studied musicology, Protestant theology, and German in Bethel and Münster. Bick is currently preparing an intellectual and cultural history on the musical legacy of the New School for Social Research and its contributions to New York’s musical modernist and political culture during the 1930s. His publications include the following essays: “Sounding Belief: ‘Tuning Up’ and The Gospel Imagination,” in Exploring Christian Song, “‘This Must Be The Single’: Valuing The Live Recording in Contemporary Gospel Performance,” in Living the Life I Sing, and “Gospel Goes To Church (Again): Richard Smallwood’s Hybridity as Liturgical Compromise,” in Readings in African American Church Music and Worship, vol 2. Richard K. Wolf, Professor of Music and South Asian Studies, began teaching in the Music Department at Harvard in 1999. imonson@fas.harvard.edu, Chair's Office: Music Building 104 S 617-495-9854 Director, School of Music. Drs. "Sinneverwirrende Töne: Musik und Wahnsinn in HeinesFlorentinischen Nächten," Zeitschrift für Deutsche Philologie 126 (2007): 1 – 18. Bick received her MM. Her interdisciplinary research focuses on American musical culture particularly through the lens of politics, challenging assumptions about music, musical meaning and the role and status of the American modernist art composer. Carol Oja's WEBSITE, Fanny Peabody Professor of Music Vijay Iyer's wide-ranging creative work and research has spanned the arts, the humanities, and the sciences. His dissertation proposes cognitive and philosophical approaches to analyzing form in spectral music, in dialogue with primary source perspectives. His writings have appeared in Journal of Consciousness Studies, Wire, Music Perception, JazzTimes, Journal of the Society for American Music, Critical Studies in Improvisation, and in the anthologies Arcana IV, Sound Unbound, Uptown Conversation, The Best Writing on Mathematics: 2010, and The Oxford Handbook of Critical Improvisation Studies. Visiting Associate Professor of Music In 1986 she moved to the United States to study at Bard College with Eli Yarden and Joan Tower. Claire Chase co-founded the International Contemporary Ensemble (ICE) in 2001, which has been extraordinarily successful in redefining the concept of a new-music group. If approved, the candidate is then recommended for the degree of Doctor of Musical Arts, which is conferred at the close of said academic year. Books: Soliciting Darkness: Pindar, Obscurity, and the Classical Tradition. Hölderlin," Poetica 33 (2001), 445 – 64. His research and critical interests, while currently focused on African American gospel performance, extend into media studies, sound studies, phenomenology, homiletics, and theology. 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