Your privacy is extremely important to us. Longtime Cullum Band pianist and arranger John Sheridan performs the solo piano version heard here. If you are the copyright owner of this paper and no longer wish to have your work published on IvyPanda. by Francis Mosley. Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.With Louis Armstrong, Beiderbecke was one of the most influential jazz trumpet/cornet soloists of the 1920s.His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. At least two sources must be from books or journal articles (including jazz magazines like DownBeat or JazzTimes). By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Bix Beiderbecke, born in Davenport, Iowa, in 1903, is generally regarded as the greatest white jazz cornettist of all time. Coming from radically different backgrounds, both musicians drew upon their influences to make music that revolutionized jazz, creating two separate legacies interwoven among each other in the peak of jazz popularity. Some years later Armstrong recalled being in the audience for a concert on July 22, 1928. “Dippermouth Blues,” composed by Louis Armstrong and his mentor King Oliver, is a number the cornet duo often played together at the Lincoln Gardens on the South Side of Chicago in the early 20s. 2020. IvyPanda. It is this lack of range that this paper believes is one of the secondary reasons behind the relative obscurity of Beiderbecke and the popularity of Armstrong. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. This essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music was written and submitted by your fellow student. (2020, June 22). Bix showed up at the dock from his nearby family home and fell in love with Armstrong’s playing. He recorded the tune at least four times in his career, first on May 1, 1930 under the name “Louis Armstrong and His Orchestra” and again in October 1938 with Fats Waller on piano, Jack Teagarden on trombone and Bud Freeman on tenor saxophone, for a radio program with Martin Bloch. When comparing the lives of Beiderbecke and Armstrong, a significant disparity is seen wherein Beiderbecke was born into a life of privilege while Armstrong was born into a life of poverty and discrimination. by Gary Craig. You can use them for inspiration, an insight into a particular topic, a handy source of reference, or even just as a template of a certain type of paper. sont sur eBay Comparez les prix et les spécificités des produits neufs et d'occasion Pleins d'articles en livraison gratuite! American breaks with the past in the twenties introduction of flappers bobbed hair, and short skirts symbolized a new era. The King Oliver Creole Jazz Band first recorded “Dippermouth” in 1923 with a youthful Armstrong, still a hayseed from the wrong side of the tracks in New Orleans, playing second cornet. Born two years and half a continent apart, Bix Beiderbecke and Louis Armstrong, the two most influential figures in the early history of jazz, emerged as major soloists on the same instrument (cornet) at the same time (early 1924). On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. IvyPanda, 22 June 2020, ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. For full functionality of this site it is necessary to enable JavaScript. Portrait of Bix Beiderbecke. “Ballin' The Jack,” performed here by The Jim Cullum Jazz Band, first captured Armstrong’s imagination when he heard it played on the streets of New Orleans. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. Beiderbecke's alcoholism shortened a talented life. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." On this broadcast, New Orleans trumpet giant Nicholas Payton joins The Jim Cullum Jazz Band to offer their interpretation of this fascinating multi-strain, twelve-bar blues. (2011). Web. Armstrong enjoyed playing together with many well known jazz musicians; one of them was Joe Oliver (Armstrong, Louis, par. Bix Beiderbecke, Louis Armstrong, and Count Basie became you people, heroes, jazz spread throughout the land, while music was forgotten. Improvisatory Styles and Musical Philosophies. Le jeu de Bix Beiderbecke Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato et par une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après-guerre, sera le style cool. Louis Armstrong and Leon Bismark Beiderbecke, known as “Bix,” are the outstanding representatives of the jazz age. On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. John Adney. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. Learn More. Taking this into consideration, the sheer power evident in Armstrong’s performances seems to stem from his own part involving poverty and discrimination, whereas the smooth, cool and melodic style utilized by Beiderbecke comes from his own past of privilege. Louis Armstrong’s and Bix Beiderbecke’s Jazz Music, Lalo Guerrero: the Father of Chicano Music, Conflict of The Beatles and the Religious Far Right, Improvisatory Styles and Musical Philosophies, Political and Social Conditions that Influenced their Lives, Louis Armstrong and Bix Beiderbecke Music Comparison, Louis Armstrong’s Contribution to Jazz Music, Dizzy Gillespie and Louis Armstrong: Jazz Music, “Round Midnight” by Carmen Sings Monk vs. “Hotter than That” by Louis Armstrong, Racism in Music: “(What Did I Do to Be So) Black and Blue”, Nike Company’s and Lance Armstrong Relationship, Buddy Holly Musician: Modern Marketing Plan, The Bill Shreeve Band and Its Success Factors. Profil: American jazz cornetist, pianist and composer (born March 10, 1903, Davenport, Iowa, USA - died August 6, 1931, Queens, New York, USA), regarded as one of the most influential jazz soloists of the 1920's together with Louis Armstrong. Découvrez toutes les promotions CD & Vinyles, les … Commentary, 120(2), 65-68. Self and Finn . By then, both jazzmen had come up in the world and were headlining in Chicago—Bix on the North Side and Louis on the South. Whenever Bix would come to town and go down to hear Louis Armstrong at the Sunset [Café], we’d find out about it and go down there and sit at a table with Bix.”, In 1924 Armstrong and Beiderbecke made their New York City debuts about the same time. Photo in public domain. 3 Kings Of Jazz: The Music Of Louis Armstrong, Bix Beiderbecke And Jelly Roll Morton pas cher En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. Bix Beiderbecke was one the brightest innovators of the early jazz scene. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. As explained by Lauterbach (2014), it was often the case that Armstrong actively attempted to incorporate such musical influences into his performances resulting in renditions that were often far from the norm. At the Jazz Band Ball features rare, archival film clips from 1925 to 1933 that showcase a wonderful potpourri of musicians, bandleaders, singers, dancers, and entertainers that characterized the best of the Harlem Renaissance and the Jazz Age. Their performance of King Oliver’s masterpiece “West End Blues” is a landmark recording in jazz, inducted into the Grammy Hall of Fame in 1979. He was destroyed by alcohol and died broke and alone before the age of 30. Son lyrisme mélancolique font de lui un des musiciens les plus touchants de l'histoire du jazz. For example, it was noted that while Armstrong often reached into the upper levels of the register when it came to the tempo and volume of his performances, Beiderbecke rarely did so and was focused more on maintaining a melody that resonated with those of his fellow musicians within an ensemble (Haim, 2011). Bix and Louis had some things in common—they both possessed musical genius, and they both had a passionate, almost religious devotion to jazz. It is believed that these inherent limitations influenced his early career in music wherein he strived to do better and better since music was his only outlet in what he deemed to be a world that had limited opportunities to him due to the color of his skin. Armstrong was black and Beiderbecke was white and musical segregation was complete in the 1920's. He put it to his lips and blew a phrase. This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. The sound came out like a girl saying “yes.”’, Others have described that Beiderbecke sound as a ‘padded mallet striking a chime,’ or like ‘pearls falling onto velvet.’ Here’s the way I hear it: it’s a fat sound, broader and less strident, darker and more mellow than other cornet players, but it’s not just dark and mellow, it has a hollow ring that sometimes reminds me of a bell. Copyright © 2021 - IvyPanda is a trading name of Edustream Des frais d'abonnement s'appliqu Armstrong was not given the same opportunities, rights as well as many privileges that were accorded to the Caucasian population and had to work considerably to be given the same priveleges. As a result, he focused more on becoming a musician and eschewed formal education so that he could become a better jazz player. The Story of Bix Beiderbecke’s Davenport Blues. For me, it’s the most beautiful musical sound I’ve ever heard. Sister Cities: Louis Armstrong’s New Orleans and Stax Records’ Memphis. Bix Beiderbecke. When examining the musical influences that helped to shape Armstrong, it is important to note that aside from Jazz, he had a strong interest in many other types of music such as “the Blues”, classical music (i.e. Beethoven, Chopin, etc. Alcoholism and disillusionment were the causes of his death in 1931, at the age of twenty nine. On the other hand, since Armstrong is known for his inventive and improvisational style of playing, the incorporation of musical influences from different stylistic backgrounds seemed to have been a success since it resulted in renditions that became widely popular. Amazon.com. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. When it was combined with the improvisation that he was known for, it created a spectacle of jazz composition that “wowed” audiences whenever they listened to any of his performances. ”. He died in 1931 at the age of 28. (2020) 'Louis Armstrong's and Bix Beiderbecke's Jazz Music'. Stereotypically, jazz is often stated to be “a collaboration between composer and performer” wherein the value of the rendition of a particular song is dependent not only on the one who wrote it but also with the style of improvisation used on the song by the performer. It contains thousands of paper examples on a wide variety of topics, all donated by helpful students. Share Reply. This sets it apart from other styles of music wherein adherence to the measure and beat of the piece is absolutely essential. You take a man with a pure tone like Bix and no matter how loud the other fellas in the band may be blowing, that pure tone will cut through it all.”. Deeply attached to this early classic, Armstrong would perform and record this piece throughout his career. “Chantez Les Bas” (“Sing ‘em Low”) was one of Handy’s tunes recorded at that session. What you have to understand is that jazz is far more “impressionistic” as compared to other types of music in that the flow of the song and the way it is played changes based on personal interpretation and feelings within that particular moment. Livraison gratuite (voir cond.). Bix first made a name for himself between 1923 and 24, playing with a group of young guys in the Midwest who called themselves the Wolverine Orchestra. How many pages (words) do you need? Ellie. Among the most well known and influential jazz musicians of their era were Louis Armstrong and Bix Beiderbecke. On this broadcast, Jim Cullum and his Band pay tribute to Bix with a series of tunes from the recorded output of his short career. When comparing the situations of Beiderbecke and Armstrong, it can be seen that both were in vastly different social and political circles which in turn impacted the way in which they expressed themselves through music. by Fiona White. Evidence of this can be seen in his various solo performances which were lauded as being brilliant, highly exhilarating and possessed a considerable energy all on their own (Lauterbach, 2014). When examining the history behind Beiderbecke, the origin of his interest in music seems to stem from Nick LaRocca and Dixieland jazz from which he originally developed his love for jazz music (Haim, 2011). In June 1928 Louis Armstrong made history with a series of recordings for Columbia with his Hot Five, an ensemble that included pianist Earl Hines. IAJRC Journal, 44(1), 10-16. Answered Nov 28, 2017. The composition of orchestral music encompassing wind instruments with loud and jolly melodies reflects the entertaining atmosphere of this age. Requirements: Chose one of the three topics below 1,500 word minimum Include a bibliography of at least four sources, not including the textbook. Trumpeter Doc Cheatham recalls, “Everything was Bix Beiderbecke back then. IvyPanda. But on the South Side, there was Louis Armstrong, who brought out so many beautiful records that he overpowered everybody.” Saxophonist Bud Freeman said, “Louis loved Bix and Bix loved Louis, of course. The Edge of Evening (Chronology of Disunion) by Sara Pedigo. Haim, A. This is IvyPanda's free database of academic paper samples. Teachout (2005) goes on further to explain that it is the life experiences of the performer leading up to the moment of the performance that influences how a particular piece is played out and how a performance is done in the first place. Armstrong was born in a time of considerable political upheaval which was characterized by the civil rights movement due to racial segregation that was occurring within America at the time. , 90 ( 2 ), 207-211 Evening ( Chronology of Disunion ) by Sara.! And others that he could become a better jazz player of our platform while keeping your information... 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